(Düsseldorf, 14 agosto 1945)"I paesaggi danno forma alle nostre vite, formano il nostro carattere, definiscono la nostra condizione umana. E se sei attento a loro e acuisci la tua sensibilità nei loro confronti, scopri che hanno storie da raccontare e che sono molto più che semplici 'luoghi'."(Wim Wenders)
Wim Wenders è nato il 14 agosto 1945 a Dusseldorf in Germania il padre era un chirurgo.
Wim Wenders was born on the 14th August 1945 in Dusseldorf Germany his father was a surgeon.
Wim Wenders ha capito che il cinema avrebbe potuto includere tutti i suoi complessi interessi: architettura, immagini, arte e musica - così ha deciso di diventare un regista.
Wim Wenders realised that film could encompass all of his complex interests: architecture, imagery, art and music - so he decided to become a filmmaker.
Wim Wenders è nato il 14 agosto 1945 a Dusseldorf in Germania il padre era un chirurgo.
Wim Wenders was born on the 14th August 1945 in Dusseldorf Germany his father was a surgeon.
Wim Wenders ha capito che il cinema avrebbe potuto includere tutti i suoi complessi interessi: architettura, immagini, arte e musica - così ha deciso di diventare un regista.
Wim Wenders realised that film could encompass all of his complex interests: architecture, imagery, art and music - so he decided to become a filmmaker.
Paris, Texas (1984) One of German director Wim Wenders' many great movies, this won the coveted Palme d'Or award at Cannes. It involves a drifter (Harry Dean Stanton), who has been lost in the wilderness of Texas for four years. He has lost all memory of his former life. Then, he comes to a small town in the desert, where Stanton's brother (Dean Stockwell) finds him. Stockwell returns to his home in LA with his long lost brother in tow. Stanton is meanwhile beginning to remember who he is and what he has done in the past. He knows he must search for his wife and son. He finds his son (Hunter Carson) in the custody of Stockwell and his wife (Aurore Clement). He finds his wife (Nastassja Kinski) in a sleazy strip joint in Houston. However, despite these problems, he attempts to reconcile with Carson and Kinski and bring them together again. A most compelling drama, with some of the most amazing work ever done by filmaker Wenders, screenwriter Sam Shepard and the cast, such as Stockwell and Stanton. Kinski comes off amazingly fine and young Carson gives one of the best juvenile performances to date. The cinematography, capturing the desolation of the American southwest, is simply breathtaking. It's a tad slow, but it is something you should not miss.   http://nl.youtube.com/watch?v=FfTphi7aoW0 Wenders links Officiële site Wim Wenders Prisma online Images journal Wim Wenders ein Filmbuch Interview met Wim Wenders Filmografía Monteuve Greenteam The Context German Hollywood Connection New German Uni Freiburg Bienal Universalis Gary Johnson Biografie Biografie Wim Wenders In Engels Ailes du desirRasscass |  Paris, Texas DVD Paris, Texas DVD  Paris-Texas video Nederland Youtube:  http://nl.youtube.com/watch?v=Jxu-9lyA4wQ http://nl.youtube.com/watch?v=PtWYiESNoIo | "Des images sans paroles nourries de littérature", ainsi débute cette rencontre avec le style Loustal. Peintre aux couleurs tropicales, dessinateur de bandes dessinées aux cadrages cinématographiques, Loustal avoue être marqué par une imagerie américaine façon Wim Wenders ou David Lynch. Loustal dans "Faiseur d'images", 1998 This film about Loustal's stylistic approach opens with "images without words inspired by literature". A painter who uses tropical colours, an artist whose comic strips are framed like film shots, Loustal admits to being inspired by the sort of American-style imagery found in the films of Wim Wenders and David Lynch. Loustal in "Faiseur d'images", 1998 PLG: Quelles sont vos références littéraires ? Cinématographiques ? Loustal: Pour ce qui est des références littéraires, cela va des auteurs américains comme Tennesse Williams, Truman Capote, Fitzgerald ou Corson Mac Cullers à des auteurs français comme Simenon, Modiano. Enfin, ce sont ceux que j'ai en tête maintenant... Pour le cinéma, je suis très éclectique, cela va de Fellini à Wenders en passant par Peckinpah ou Kubrik. Je ne déteste pas non plus les petites productions policières ou d'horreur. En fait, je suis un gros consommateur de films... PLG: On retrouve dans vos histoires des ambiances proches de celles qui caractérisent le cinéma de Wenders. On perçoit une certaine connivence... Loustal: Oui, des films comme L'ami américain ou L'état des choses me touchent beaucoup, c'est vrai qu'il y a une similitude dans la façon d'appréhender l'espace, dans les cadrages, dans la mise en images du temps qui passe. PLGppur N 21 Couv.Loustal.- Dossier Loustal 19 -36 p. Fansite Links/liensForban's fansite (tip) Bucknell Synopsis Festival Cannes 1984Italiaanse Paris Texas site Greenteam.it  Kinejun Magazine # 9 in 1985 (japan) |
 Paris, Texas 1984, (Nastassja Kinski) |  Barney et la note blue, Loustal 1987, p. 75 (A suivre 1985 /1986) |
 Photo Wim Wenders, 1984 |  PUB et BD, Loustal 1989 |
loustal : No man's land (223)
 Photo Quiet Sleeps, Mojave, California in "Written in the West". Wim Wenders
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 Paris, Texas 1984, Wenders |  New Mexico, Loustal 1981 |
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